choreographic works
LIMINAL SYPHOMNY (2019)
Premier at WAX Works/Triskelion Arts (New York, NY).
Liminality is the quality of ambiguity or disorientation that occurs in the middle stage of a rite of passage, when participants no longer hold their pre-ritual status but have not yet begun the transition to the status they will hold when the rite is complete.
Sound/Music: Alpine Symphony: On the Summit by Richard Strauss, Pendulum Music by Steve Reich, Broken Music
Composition by Milan Knizak; mixed by Jacqueline Cannon
Dancers: Rosa Bledsoe, Jacqueline Cannon, Janet Cesarotti, Sara Ramsay
Testimony (2016)
Premiered at Florida State University's Days of Dance concert in April 2016.
Choreography: Jacqueline Cannon
Music: DJ Plie
Dancers: Jacqueline Cannon, Sara Ramsay
MOTHERBOARD (2019)
Excerpt premier at Open Performance/Movement Research (New York, NY).
MOTHERBOARD seeks to challenge our own perceptions of memory and reality by using the concept of circuit bending (chance-based customization of low-voltage synthesizers) as an investigation on the variation of natural functions.
Dancers: Rosa Bledsoe, Jacqueline Cannon, Rebecca Fitton, Sara Ramsay
quite frank (2014)
Premiered at FSU Digitech Conference 2015.
Videographer, Choreographer, Sound : Jacqueline Cannon
Dancer: Sara Ramsay
Stripes and Stars (2017)
Premiered at the American College Dance Festival Southeast in March 2017.
Restaged for Florida State University's Days of Dance concert in April 2017.
Music: Jacqueline Cannon
Dancers: Janet Cesarotti, Carly Dishman, Rebecca Fitton, Ashley Pierre-Louis